Claudia Silki
Actress, playwright, and performance creator. She has participated in more than twenty stage productions, including Diana y la sombra, a work selected in the 2020 “Espacios Escénicos en Resiliencia” Call of the Centro Cultural Helénico and in the official selection of the Festival for Equality, Tiempo de Mujeres (2021); Nadie se va a reír, by Lucía Leonor Enríquez (actress and director); Telegramas, by Daniel de la O; Limítrofe, written and directed by Ignacio Flores de la Lama; and Sin trama, sin final, written and directed by Ylia Popesku. She has also worked in film, radio, and television, in projects such as La historia de Juana (2024), La Hora Marcada (2023), Falsos Falsificados (2017), and El fantástico mundo de Juan Orol (2012).
Her training includes workshops and specialized courses in playwriting, directing, and techniques such as Suzuki, Viewpoints, Meisner, psychological realism, Mikhail Chekhov’s psychophysical method, Clown, and Lee Strasberg technique at the National School of Theatrical Arts, Casa Azul, and the National Theatre Company’s House, among others. She has studied with teachers such as Mattia Sebastian (Italy), Hugo Arrevillaga, Conn Horgan (teacher and lifetime member of the Actors Studio), Mauricio Kartun (Argentina), Ylia Popesku, Antonio Salinas, and Rogelio Luévano, among others.
In 2025, she participated in the Summer Residency of the Suzuki Toga Camp in Toga, Japan, home of the SCOT Company founded by master Tadashi Suzuki.
Experience and training
Series and television
Juana's Story , Televisa/Univision, 2024.
The Marked Hour, Televisa/Univision, 2023.
The Golden Rooster, Televisa/Univision, 2023.
Clinic X, Sony, 2022.
Rosario Tijeras , 2019.
The Taxi Driver , ImagenTV, 2018.
The Prodigal Daughter, TV Azteca, 2017.
False Counterfeit, Sony - Teleset, 2017.
Cinema
The Call, dir. Pablo A. Tonatiuh Álvarez, 2025.
Tremor (Short Film), dir. Diego Escalante, 2018.
Before Leaving (Short Film), dir, Diego Escalante, 2017.
6” (48 hrs. Film Festival), dir: Yeili Rodríguez, 2015.
Tin Heart (Short Film), dir. Víctor Roctiv, 2014.
Pink Obsession (Short Film), dir. Fernando Ortega.
THE FANTASTIC WORLD OF JUAN OROL , dir. Sebastian del Amo, 2010.
Patience (Short Film) Produced by Claudia Espinoza, directed by Víctor Salcido, 2010
Theater
Encuentro Verbena Sorora, una fiesta de Alejandra Ley, Teatro de la Ciudad - 2022 - 25
Diana y la Sombra, dramaturgia y dirección de Claudia Silki, 2020.
Lentejuelas, de Simone Victoria, dir. Javier Ibarguengoitia, MT (2017-2018).
Los últimos apóstoles (Dramaturgia) Microteatro México, 2018.
Nadie se va a reír, de L.L. Enríquez. (Directora y actriz), La Teatrería, '17 - 18.
Telegramas, de Daniel de la O. Teatro La Capilla, 2017.
Dulce Compañía. Dirección: Cristian Magaloni. Microteatro, 2017.
Carlota. Monólogo (Dirección, dramaturgia y actuación) adaptación de Claudia Espinoza del libro Carlota(Laura Martinez Belli).
La importancia de llamarse Lupe, dir. Alejandra Ley. Microteatro, 2016.
La Viuda. Monólogo (Dirección, dramaturgia y actuación) adaptación de Claudia Espinoza del libro La Viuda (Fiona Barton), 2016.
Jasón y Medea, dir. Ernesto Godoy. Teatro en Corto,2015.
Perso, (actuación y dramaturgia) Dirección: Cía. Trece Octavos, 2015.
Limítrofe, de Ignacio Flores de la Lama, CEUVOZ – CASA AZUL, 2014.
¿Dónde se quedo la canción?, de R.E. Ríos León, dir: G.Reséndiz, 2013-14.
Sin trama, sin final, de Ylia Popesku. CC La Pirámide, 2013.
La casa chica, de Mónica Lavín, lectura dramatizada, dir: Erando González, 2012.
Homenaje a Aurora Reyes. Dir: Claudia Santiago / Ernesto Godoy, 2012.
El Lápiz de Sebastián, de Joe Marín y Miguel Huerta. Dir : Marta Fernanda/ Oscar Ulises Cancino. Teatro Xola y Nuevo Teatro las Torres, 2012 - 2015.
Jamás, de Mario Oliver Carreón, Teatro Coyoacán, 2011.
Diario de un joven buscador, J.L. Urdaibay, lectura dramatizada, 2010.
Luto, flores y tamales de G. Alanís, dir. Tomas Espinoza 2007 – 2008.
Jesucristo Superestrella de T. Rice y A. L. Weber, dir. Carlos Ruíz, 2006.
Clown Fashion show, de Claudia Espinoza, dir. Tony Balquier, 2005.
El caracol encuerado de Sergio Molina. dir. Tony Balquier, 1999 – 2000.
De Pétalos Perennes, de Luis Zapata, dir. Gerardo Moscoso, 1999.
Yo estaré con ustedes. Dirección: Jorge Basurto, 1998.
El medio pelo de Antonio González Caballero, dir. Raúl Adalid, 1998.
Mundo de Navidad, Dirección: Carolina Morales, 1997.
Contrabando de Víctor Hugo Rascón Banda, dir. Tony Balquier, 1997.
Salón México, dirección: Antonio González Balquier 1997.
Courses and Workshops
The Garden of Forking Paths, with Agustín Meza, CC Helénico.
Cuerpo Creador, taught by Sol Sánchez, CC Helénico.
Suzuki Toga Camp 2025, SCOT Company House, Toga, Japan.
Screenwriting Workshop, Fanie Soto, Cátedra Bergman, UNAM.
Toward a Fascinating Theatre, Paco Bezerra, CCE México.
Feature Film: A Possible Method…, Diego Quemada-Díez, CaSa, Oaxaca.
Playwriting for Young Audiences, UNAM – INBA.
Dramaturgy Consultancy, CaSa Oaxaca, coordinated by Ximena Escalante.
Introduction to Realism, Viridiana Olvera, Casa Azul Argos.
Casting Workshop, Natalia Beristain.
Stage Directing Workshop, Hugo Arrevillaga, Teatro Nazas.
Casting Workshop, Anilú Pardo.
Breve Espacio: Inclusive Stage Work, Ana Endorzain & R. Nolasco, CCE México.
Contemporary Playwriting, Fernanda del Monte, Teatro La Capilla.
Strasberg Technique with Conn Horgan, lifetime member of the Actors Studio.
Emergency Playwriting Seminar, Mauricio Kartun, CCB.
Applied Playwriting, Silvia Peláez.
Approach to the Dramatic Text, Boris Schoemann, La Capilla.
Diploma The Voice and the Spoken Word, CEUVOZ – INBA.
Meisner Technique I with Eduardo Arroyuelo, Casa Azul.
Dynamic Alertness in Space & Construction of Scenic Presence, Antonio Salinas, National Theatre Company House.
Chekhov Acting Technique Workshop, Ylia Popesku.
Theory & Analysis of the Dramatic Text, Luis F. Arroyo Mendieta, ENAT.
Perspectives on Stage Direction, Verónica Contreras Olmedo, ENAT.
Psychophysics of Mikhail Chekhov, with Luly Rede.
The Invisible Actor, taught by Jorge Celaya, Casa Azul Argos.
Analysis of Dramatic Structure & Realism I and II, Raúl Quintanilla.
Acting Training & Theatre Technique, Rogelio Luévano.
Analysis of Scenic Expression, Javier Barreiro Cavestany.
Film Acting Workshop, Juan Carlos Martínez & Eduardo Santoyo.
Cinematography Workshop, Bussy Cortez.
Stagecraft & Lighting, Iván Dorado.
Music Applied to Dance, Joaquín López “Chas.”
Contemporary Dance, Jaime Hinojosa, Centro de Danza Mezquite.
Voiceover & Hosting, R. Adalid, B. Russek, M. Pámanes, Ma. E. Morales.
Radio Voiceover, Antonio González Balquier.
